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Released on Friday, Music of the Spheres takes its title from the idea that the movement of the heavens vibrates tonally. A fresh hit is a case in point: Higher Power is a punchy 80s-channelling celebration of love’s consolations, one lit by lasers and a dazzling skyful of ceiling projections.Ĭhris Martin fronts Coldplay with support from Ed Sheeran, right, ‘the second most decent guy in exportable UK culture content’,Īccording to Martin, we have Pegg’s young daughter Tilly to thank for the direction of Coldplay’s latest record. A line such as “I’m in love with your body” sits oddly within the Martinsphere, a largely chaste space in which the Coldplay main man expresses his hots for someone in far loftier terms. But Sheeran’s Shape of You really drives home the differences. They’re even dressed alike tonight, in contrasting colour-on-black togs and not-too-loud statement trainers. The two songwriters share similarities: they are, after all, men whose songs make an incalculable amount of people very happy.
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It’s Sheeran’s cue to come back to play his own tunes. Later on, having just played a slew of career-spanning anthems – Viva la Vida, The Scientist and a stripped down version of Yellow – Martin quips that some “really big hits” are nigh. In lieu of Kuti, meanwhile, we get a cameo from Ed Sheeran, the second-most-decent guy in exportable UK culture-content, who sits in on the always-affecting Fix You. On the album, the song title is styled as an emoji, just one of a few Music of the Spheres feints towards a Gen Z demographic. Pondering that organ’s frailty, the singers’ four-way harmonies produce a resonant, almost a cappella thrum. One hundred million albums later, in lieu of a gospel choir, we have The X Factor star-turned radio presenter Fleur East and the classy LA soul act We Are King joining Coldplay for a new song, Human Heart. Actor Simon Pegg, one of Martin’s BFFs, introduces the band, recalling how Martin went out with him to the cashpoint after that 1999 gig muttering: “I don’t know what I’m going to do if it gets any bigger than this.” Martin warns the audience they can leave before ‘one of the biggest slices of soft rock you’ve ever heard’įor now, accompanied by iridescent lighting and a cannon shooting star-shaped confetti, Coldplay are back in a venue they first played in 1999. Indeed, a few days after the gig, Coldplay announce a world tour in which the shows themselves will be powered by renewable energy, kinetic floors and bicycles, tour emissions 50% lower than in 2016/17, and a tree planted for every ticket sold. Manila’s loss is very much London’s gain. Tonight, as they launch their ninth outing, Music of the Spheres, fans, friends and family feel present in equal measure. What this has meant in practice is that, come new album time, cities close to Coldplay’s home bases such as LA and London have retained their access to discrete little jolts from pop’s foremost positivity engine.įor 2019’s Everyday Life album, the foursome took over London’s Natural History Museum alongside Femi Kuti and a gospel choir. Having talked the talk of the climate emergency, Coldplay, of all bands, had to not burn the aviation fuel. In 2019, Martin announced that, until the band could fill arenas from Belgium to Venezuela in carbon-neutral fashion, the jaunts that had turned Coldplay from a successful band of the Anglosphere into a vast global concern had to pause. It’s a reflex that underlines the special circumstances of this one-off gig.īefore the pandemic forced the whole world to stop touring, Coldplay presciently put their own globe-straddling juggernaut up on blocks. A t the end of Coldplay’s greatest-hits set, Chris Martin’s thanks come in a Babel of languages – Spanish, Japanese there might be Korean in there too.